New Wave

Disco

House

Country Pop

Hard Rock

Synthpop

Post-Punk

Electronic

Classic Rock

Psychedelic Rock

Rock & Roll

Dance

Alternative Rock

Indie

Country

Rock

Pop-Rock

Punk Rock

Soul

Indie Rock

Indie Pop

Progressive Rock

Folk

Hip-Hop

Blues

Garage

Techno

Drum & Bass

K-Pop

Latin

Alternative Country

Acoustic

Grime

Reggae

Default decade List

Default Home Nav

Default trending artists

Default Your Music

Enthusiast of all pop sub-genres, from bubblegum to synth-pop.

Devoted to hard rock and heavy metal legends.

Deeply immersed in electronic and dance music culture.

Seeks out authentic, underground, and non-mainstream artists.

Focused on lyricism, rhythm, and urban culture.

Appreciates technical proficiency and instrumental improvisation.

Loves storytelling, folk roots, and Nashville production.

Follower of extreme speed, power, and technical metal.

Users who organize music by mood, activity, or aesthetic.

Listens almost exclusively to hits from past decades.

Uses music as a utility for high-intensity physical performance.

Uses music for concentration, relaxation, or background noise.

Early adopters of viral hits and chart-climbing tracks.

Scholarly listeners who research artists and full albums.

Supports independent venues and emerging regional talent.

Default Home Playlist

Browse {{count}} artists

Artists starting with the letter '{{letter}}'

All Artists

Artists - {{letter}}

Account Settings

Enter your email address and we'll send you a link to reset your password.

Reset your password

BUSKR Reset Password

Browse {{count}} music genres

Genres

Sign in to your account

BUSKR Login

Filter by title

Search titles…

Buskr music news

Create your account

BUSKR Register

{{count}} items tagged with this label

{{artists}} artists · {{articles}} articles · {{hubs}} hubs · {{content}} content

Browse {{count}} tags

Tags starting with the letter '{{letter}}'

All Tags

Tags - {{letter}}

The Beat, also known internationally as The English Beat, emerged from the vibrant music scene of the UK in 1978. This influential band masterfully blended ska, reggae, pop, and punk rock influences to create a distinctive and enduring sound. Early in their career, they quickly gained recognition for their energetic live performances and socially conscious lyrics. 

Their debut album, "I Just Can't Stop It" (1980), was a critical and commercial success, featuring hit singles like "Mirror in the Bathroom" and "Save It for Later." This album solidified their place in the 2 Tone ska revival movement. Throughout the early 1980s, The Beat released several more acclaimed albums, including "Wha'ppen?" (1981) and "Special Beat Beat" (1982), which continued to showcase their evolving musicality and lyrical depth. Their music often addressed themes of politics, social issues, and personal relationships with a unique blend of optimism and realism.

The band achieved significant international success, particularly in the United States, where they were known as The English Beat to avoid confusion with a different band named The Beat. They collaborated with notable artists and were renowned for their tight musicianship and charismatic stage presence. Despite internal changes and lineup shifts over the years, the core spirit of The Beat has persisted, leaving an indelible mark on popular music and inspiring subsequent generations of musicians.

The Beat, formed in the UK in 1978, was a highly influential band known for their unique fusion of ska, reggae, pop, and punk. They gained international acclaim with albums like "I Just Can't Stop It" and "Wha'ppen?", known for energetic performances and socially relevant lyrics. As The English Beat in the US, they achieved significant success and left a lasting impact on music.

The Beat - Too Nice To Talk To (Top Of The Pops 1981)

Web: http://www.thebeatofficial.com/
Twitter: http://www.twitter.com/TheBeat
Facebook: http://www.facebook.com/TheBeat

The Beat - Too Nice To Talk To (Top Of The Pops 1981)

The Beat - Can't Get Used To Losing You (Top Of The Pops 1983)

Web: http://www.thebeatofficial.com/
Twitter: http://www.twitter.com/TheBeat
Facebook: http://www.facebook.com/TheBeat

The Beat - Can't Get Used To Losing You (Top Of The Pops 1983)

The Beat - Mirror In The Bathroom (Top Of The Pops 1980)

Web: http://www.thebeatofficial.com/
Twitter: http://www.twitter.com/TheBeat
Facebook: http://www.facebook.com/TheBeat

The Beat - Mirror In The Bathroom (Top Of The Pops 1980)

Urgh! A Music War

Dance Craze

The 2-Tone Story

2-Tone: The Sound of Coventry

Trailblazers: 2-Tone

The 80s: The Decade That Made Us

Top of the Pops

The Old Grey Whistle Test

Rock Goes to College

Something Else

The Tube

American Bandstand

Tiswas

Cheggers Plays Pop

The Kenny Everett Television Show

Razzmatazz

Alright Now

Rockpalast

The Russell Harty Show

Tears of a Clown

Hands Off... She's Mine

Mirror in the Bathroom

Best Friend

Too Nice to Talk To

Doors of Your Heart

Drowning

Hit It

Save It for Later

Jeanette

I Confess

Can't Get Used to Losing You

Ackee 1-2-3

Andy Cox

David Steele

Dave Wakeling

Everett Morton

Roger Charlery

Matthew Godwin

Lionel Martin

David Wright

The Beat is a British musical duo formed in 1978, known for their unique blend of ska, pop, and reggae influences.

Wikipedia

IMDb

The Beat

A cover of The Miracles' Motown hit, given a distinctive ska-punk treatment.

A soulful and introspective track with a strong pop sensibility.

A raucous and politically charged track showcasing the band's early energy.

A cover that adds a ska-punk urgency to the original song.

I Come From The Sun

A signature song blending ska, new wave, and reggae with introspective lyrics.

A high-energy, chaotic track that reflects the band's punk influences.

Monkey Murders

An instrumental track that showcases the band's instrumental prowess and rhythmic complexity.

Psyche

An energetic opener that perfectly encapsulates the band's ska-punk fusion.

Ranking Full Stop

A commentary on youth culture and societal pressures, delivered with urgency.

Too Much Too Young

A more mellow, reggae-infused track that highlights the band's versatility.

A biting social commentary wrapped in an energetic, ska-driven package.

Noise and Escapism

A song with a driving beat and clever lyrical content.

So Polite

A politically charged track with a sharp, critical message.

Stand Down Margaret

A more melodic and reflective song, demonstrating the band's evolving sound.

The Two Lovers

A fast-paced, energetic track with sharp lyrical observations.

Two Swords

An upbeat and catchy song with a distinctive ska rhythm.

Jackpot

A complex and layered track with strong political undertones.

Patojo

A driving and anthemic song with powerful vocals and a strong reggae beat.

Rough Rider

A sophisticated, guitar-driven track with distinctive vocal harmonies and a driving rhythm.

A fast-paced and anthemic track with strong vocal performances.

She's Going

A soulful, reggae-driven track that highlights the band's roots.

Sole Reggae

A high-energy track that blends punk aggression with ska rhythms.

The Limit

A more laid-back track that showcases the band's melodic side.

Walk Away

A cover of Andy Williams' song, reinterpreted with a ska-infused rhythm and urgency.

A track from the band's later period, demonstrating continued musical exploration.

The Beat

Members

Tags